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Hey there, friends. I've got a brand new single out for ya out today. This one's called "The Rotten Parts," produced by me (!!!), mixed/mastered by Amelia Sarkisian, with drums by Jules Stewart. I wrote this one as a walk-a-mile-in-someone-else's-shoes plea for white folks to consider not only the current, every-day impact of white supremacist delusion on Black and Brown bodies, but the centuries-long trauma caused by hate, fear, greed, and othering based on nothing more than skin color. Sooooo Dummmmmb and Eviiiiiil. What a grave shame it is to still see so many people refuse to acknowledge the simple, unwavering truth that Black Lives Matter. To still value their own comfort and willful ignorance over the actual safety of other humans. To varying degrees, we ALL grapple with these "rotten parts" because we were all brought up within rotten, broken systems. And those rotten parts will continue to poison generation after generation until we confront them individually and collectively. Thank you for listening - hope you'll work to carve out all the rotten you see in yourself - I'll be doing the same on my end.
The song is available now (along with lyrics and art) for direct download in the store, which is by far the best way to support, or on all the streamy thingies. Special thanks to Jules Stewart (drums), Amelia Sarkisian (mixing/mastering), with single art by Shy the Artist using original photography by Sydney Valiente. As always, big, big love to my Lindsay's Corner fam for their continued support. *Edit 3/24 - I recently was given the opportunity to root out the rotten parts of this very blog, which was not giving proper credit to the Black and Brown folks who inform my very understanding of racial and social injustice and who motivate me daily to hold myself accountable and try to work/create/speak/live in solidarity. Folks whose work I am particularly grateful for and inspired by in this moment are Sonya Renee Taylor, Dr. Tiffany Jana, Sassy Latte, Isabel Wilkerson, Miki Vale, EB of Course, and so, so many of the harmonizers at our local mutual aid We All We Got SD! 
Image description: Single artwork by Shy the Artist features a collage with light gray text that reads “The Rotten Parts” overlaid on a blue-gray cloudy mountain landscape. The focal point is a photo (by Sydney Valiente) of Lindsay placed toward the right of the graphic. She is wearing a brown coat over a gray blouse and her long brown hair falls over her left shoulder. A bunch of red and white flowers with black leaves covers her face.
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Hi friends! I'm back so quick with a new single, are you finding me to be impressive yet? Haha.
"Piece of Quiet" is another pandemic-inspired, anxiety-riddled bop about being so, so, so desperate for a little sliver of peace during such a tumultuous and traumatic time. I'm feeling much better now than when I wrote the tune, and I credit that with a commitment I made to creating some quiet and stillness in my life. (As I write this, my neighbor's chainsaw screams away. Apparently, he's coping with the pandemic through wood work...we all have our things I guess.) Anyway, when I get quiet, sometimes that looks like getting off my phone, sometimes it looks like meditating, or reading, or writing. There is a lot of comfort to be found in going within. I hope this song helps you do that in some small way. The song is available now (along with lyrics and art) for direct download in the store, which is by far the best way to support, or on all the streamy thingies. Special thanks to Jules Stewart (drums), Amelia Sarkisian (mixing/mastering), with single art by Shy the Artist using original photography by Sydney Valiente. As always, big, big love to my Lindsay's Corner fam for their continued support. 
Image description: Single artwork by Shy the Artist features a collage with light gray text that reads “Piece of Quiet” overlaid on a blue cloudy landscape. The focal point is a photo (by Sydney Valiente) of Lindsay wearing a white shirt and black pants. She is seated with her arms out to either side and her long brown hair falls over her left shoulder. Bunches of pink flowers cover her face and surround her body.
New year, new music. Hope you enjoy my latest release "Nothing Worse," an original song inspired by one of my dear friends about that dreaded sense of hope we still somehow manage to feel during incredibly hopeless and lonely times. The song is available on all streaming platforms, but I hope you'll also consider a direct download from my website, which includes a printable lyric download as well as the artwork. Streaming is cool y'all, but artists can't make it work with fractions of pennies for royalties. Direct sales help me continue to invest in creating more music!
Image Description: Single artwork features a collage with light gray text that reads "Nothing Worse" overlaid on a grayish blue mountain landscape. In the center, a photo of Lindsay in a green shirt with black and white polka dot accents. She is propping her chin up with her hand. Bunches of colorful flowers are covering her face and near her shoulder. Artwork by ShyTheArtist, using original photo by Sydney Prather.
Lyrics:
there's a pillow i keep punching i always take you lying down there's a pill so hard to swallow i have to hide it in my mouth i'm sinking down the valley, can't find the surface i'm fighting the finale, like a novice novelist i'm pacing like Penelope, hope for my homecoming kiss but there's nothing worse than hoping at a lonesome time like this there's a hole where i keep whispering i always wonder if you hear there's a hopeless place where i know best but dear, i don't dare to go near i'm counting up the memories and the sacrifices i'll spend them on you honey i don't care what the price is i'm testing several theories hoping to prove the same thesis but there's nothing worse than hoping at a lonesome time like this worry my mind, furrow my brow sweetheart, i am sweating bullets sweating you out how can i let you go when i still hope that hope exists i know...there's nothing worse than hoping at a lonesome time like this but i just sit here hoping at a lonesome time like this
Thank you for listening fam! If you want to take your patronage one step further, you can also join Lindsay's Corner for $2+/month. Did you know someone would have to stream my song about 229 times before I earned $2? But it costs about $10-20 per year to keep a song distributed to these platforms, so just to break even for a single, my song would have to be streamed 1145-2290 times per year. This stuff makes me want to pull out my hair and quit music sometimes. Having support from the Patreon platform isn't just about financial sustainability, it's about the emotional support and knowing that folks care about artists enough to protect and preserve their ability to create. It's about giving them "hope at a lonesome time like this."
Hey friends! I wanted to premiere a brand new video for "Crickets," ahead of my latest release that will be available for streaming/download on December 26. My Patreon crew got the first look, and they are absolutely the reason I continue to be able to create music despite not earning my usual gig income this year, so I want to thank them for their continued support during a really weird and hard time for artists. To start, let me disclaim that I have no real technical skills when it comes to video-making, but I had a vision to try and capture what the infertility struggle feels like; using a tripod and an iPhone, I managed to arrive somewhere in the realm of reality.  Image Description: Single artwork features a hand-drawn bathroom sink and a pregnancy test on the counter. A tiny cricket appears in the test window. Artwork by Chad Cavanaugh. In the song, you'll hear real crickets I recorded from outside my window on the nights I would lay awake wondering if I was ever going to get pregnant. Sometimes I would see a cricket in the bathroom, and of course (always looking for a sign from the Universe) I Googled what they meant - besides the "nothing" response they are commonly associated with. Some searches pointed to good luck and fertility. I secretly hoped my mama was coming to me in one of those crickets telling me that good news was on the way. The good news never came. Sometimes crickets are just crickets, I guess. You can also hear the crinkle of a pregnancy test wrapper in the chorus, which I used to represent the almost mechanical wheel-like revolution of hope to despair to hope to despair, cycle after cycle, fail after fail. What actually happens in these cycles is you actually have to go into the lab every try for a blood test to confirm the cycle failed (even if you already started your period or tested negative at home), which adds an extra spin cycle of hope/despair where you tell yourself tons of little stories "maybe it's implantation bleeding" or "maybe it was a false negative" until you finally get the phone call confirming what you knew all along. No baby. Feel free to share this video with anyone you know who has struggled with similar issues. It's isolating. I hope it comforts and speaks to people who have been through it. I feel very fortunate that we were even able to try five times. In the opening lyrics "I've cried onto a casket," I'm referring to my mom's death. I'm also wearing the clothes I wore to her funeral. I wanted to acknowledge that some folks don't have the resources to attempt to grow their family, and we would've been in that boat had it not been for my mama's death. So maybe she was still my good luck cricket in a different sense. Thanks to her, we will always get to say that we tried, and that is comforting. Still, I want to point out that for sooooo many LGBTQ+ folks who envision creating families of their own, whose own families did/do not accept them - we get such a late start on this process because it takes us such a long time to shed the shame placed on us by others and to arrive at our full authentic selves. Which then makes us a little late to the game in finding our healthy life partners/relationships, which then makes us really late to the family planning process. By the time Audrie and I started trying to conceive, it was practically too late. So many queer couples I know struggle with this, and it really angers me that our own loved ones, our own schools, our own religions stand in the way of our ability to love and grow into ourselves, each other, and our families. This is tragic. This is abuse. Please, if you are reading this, and you refuse to accept your child or loved one's sexuality or gender identity or anything else about their authentic self, you are literally robbing them of time they could be fully supported and immersed in your love for them and their love for themselves. Don't do that. God wouldn't do that. ****
This track will be available on Spotify/Apple/etc. on December 26! In the meantime, please follow on Spotify, subscribe on Youtube, and check out Lindsay's Corner if you'd like to be a part of the fam that helps me keep creating.
Thank you to Danielle Tucker for inviting me to come on her Pandemic-Proof Singer Series livestream show on Facebook. I'm always inspired by folks who are finding ways to keep creative communities together during pandemic times, and Danielle is a great example of that. In this episode, I talk about songwriting, Lady Brain Collective, We All We Got SD, and more. Catch the replay below and don't forget to follow Danielle's vocal coaching page to watch even more episodes from so many talented singers.
Video Description: Thumbnail is a press photo of Lindsay White, photo credit Sydney Prather. Video is a split screen zoom session, on the left is Danielle Tucker (wearing denim top seated in front of a mirror, plant, and beige and white tapestry), on the right is Lindsay White (wearing black top, seated in front of a colorful mountain tapestry that has hats hanging on top of it).
So excited to share that my brand new single "The Funeral" debuted at #13 on the iTunes Songwriter charts! So cool to see my song listed in the company of such inspirational songwriters like Joni Mitchell, James Taylor, Gordon Lightfoot, and Tracy Chapman. I'm a happy camper! Find "The Funeral" here on Apple/iTunes.  Thanks to the gang at The Rye Room Sessions for having me and Jules Stewart come in to record a couple tunes last summer. Here's the first, just released today, called Time is On the Way. Hope you enjoy! For lyrics, click here. Thanks to Kings River Life Magazine for inviting me to guest blog about the songwriting process! I look forward to kicking off the west leg of summer tour in Fresno, CA on 8/17. In addition to a performance with Victor DesRoches, we'll also be holding a songwriting workshop! Hope to see some Central Valley friends there! Read the full blog here and find out info about the show here.  press photos by Sydney Prather We had such a great time performing at the Idyllwild Songwriter's Festival. Here's a little vid of one of the songs we played called "What Even is Life?" - full concert video is posted in Lindsay's Corner! So grateful to Jonathan Frahm and Pop Matters for exclusively premiering my new single and video for "Let Love Lead the Way." This was a really wonderful project and experience, so full of love and support from beginning to end. I count myself very lucky to constantly be in the company of so many incredible people. Read the full article/interview and watch the video here!  |
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