Considering hosting a house concert, but not sure where to start? HIGH FIVE to you! House concert hosts have created an entire economy for struggling songwriters out of sheer kindness, generosity, and compassion. It is one of the remaining ways we can generate decent income, so you are basically a superhero in my book. I've played SO MANY house concerts over the years - some with bandmates, some with my former duo The Lovebirds, and now many as a solo artist. I've had the joy of being many hosts' "first" concert which is AWESOME. Here's a little breakdown that helps explain how it all usually works, but the beauty is you can do it however you want!
"I’d say the most common misconception I hear from prospective concert hosts is they think their main value is providing a venue. The most important value is providing a audience." - House Concert Host
HOUSE CONCERTS VS HOUSE PARTIES
First and foremost, it's important for everyone to be on the same page about the format of the event. When artists play "House Concerts," they usually perform (mostly) original music to a captive audience of engaged listeners. When they play "House Parties," they usually perform (mostly) covers as background music to add nice ambiance as guests mingle. Both cool formats, but could not be more different in terms of both guest and artist experience.
AUDIENCE
Check out the above quote from one of my house concert host friends. One of the most appealing aspects of a house concert for artists is the chance to perform for crowds outside their established fanbase. This is ideal not only because we get a chance to convert these listeners into new fans, but also because it gives us a much-needed break from the grind of promoting. Most public venues place high expectations on artists to draw a crowd. Promotion is an expensive, time-consuming, and stressful beast that takes artists away from their art. While I always try to help promote the house shows I play (with the host's permission, of course), I must say it is an AMAZING feeling to play for a shiny, new audience!
I've played house concerts of all sizes, but 20 people is a good minimum to try and hit so no one feels awkward. It all depends on what you're comfortable with and how much access to seating you have.
KIDS
I've played shows where kids added to the experience with all their wiggly cuteness and energy. I've played shows where kids distracted from the experience with all their wiggly cuteness and energy. I've also played adults-only shows where attendance greatly suffered because the majority of the hosts' community were parents who preferred not to leave their kids at home. When it comes to kiddos, there are a TON of variables to be considered, but it's a case by case thing. I recommend having a conversation with the artist to make sure everyone's on the same page comfort-wise, then relaying whatever you decide to guests through your invitation.
SEATING
Usually hosts provide chairs or seating (either they have enough furniture to make it work or they borrow/rent some extra folding chairs, etc.). I've played outdoor shows where hosts ask guests to bring their own blanket or lawn chair. The concert-style seating aspect is important because helps guide guests to understand that this is a listening event (as opposed to just a musician playing in the background of a house party).
INVITATION/RSVPS
I recommend keeping your invite/promotion as private as possible. This keeps the randos away and prevents you from being perceived as a public venue in the eyes of the government and other entities. Internal email invitations and/or private facebook events mostly do the trick. Some hosts use sites like Evite or even pre-sell tickets. It's totally up to you and how you feel is the best way to reach your friends/family, but again - the more "public" your event, the more you open yourself up to being perceived as a public venue.
As far as RSVPs go, there is always some drop-off on attendance the day of the show. A good rule of thumb is 20% drop-off....if 20 people RSVP yes, it's almost a given that at least 4 will not show up. Some hosts are stricter than others when it comes to no-shows (especially those who have limited seating). it's not uncommon for serial flakers to be removed from the invite list over time.
Accessibility & Accommodations
Paying attention to potential accessibility issues and accommodations for disabled folks as a forethought rather than an afterthought is not only a considerate way to approach house concert hosting; it's just a rad way to live an inclusive and compassionate life. Think of your house/concert space from the perspective of someone who uses a wheelchair or other mobility aid such as a walker, cane, etc. What would they need to know about parking, doorways, seating, restrooms, etc. before deciding whether or not to attend the concert? Will there be any guests with vision, hearing, or other disabilities and if so, what kinds of accommodations might they need to enjoy their experience? A great way to find out is to simply ask guests to reply to your invitation with any accommodation requests. Another option, if you have access to the proper equipment and/or people, is to offer a livestream feed or recorded playback of the show (with captions ideally!) for anyone who prefers to virtually attend. Feel free to reach out to me with further questions about accessibility!
Performing Rights Organizations (PROs)
Performing Rights Organizations like BMI, SESAC, ASCAP exist to help artists collect royalties for their music, whether it's recorded or performed live. PROs can be a bit of double-edged sword because their well-intentioned fight for artists sometimes translates into deterring small venues from hosting live music because they often can't afford PRO licensing fees. PROs can and will come after house concert hosts. The best way to keep the PROs away is to make sure your events are completely private/invitation-only and completely donation-based. For more on this topic, check out literature from Folk Alliance International and Concerts In Your Home.
NEIGHBORS
It depends on the neighborhood and number of people coming, but you may want to consider inviting your neighbors and/or anticipating what, if any, issues could arise with parking, noise, etc. Most neighbors are super cool about it and even get involved, but I've had some hosts have to clear it with their HOA, or some hosts have had to make sure to tell guests to keep the noise down when they walk back to their car after the show, etc. It's all about being as considerate and respectful as possible.
FOOD
There are so many different ways to handle Food & Beverage. Sometimes hosts take care of ALL the food (bless their angel hearts!), but most hosts will promote the event as a potluck/BYOB and provide the basics - plates, cups, ice chest, etc. It can be light refreshments, dessert & coffee, or a full spread. Whatever you decide, just make sure to communicate it on your invite so your guests have an understanding of your expectations. On your invite you can just say something like "Bring a dish or drink to share." One of my host friends also likes to theme the potluck (Italian, Mexian, etc.) to avoid getting 37 bags of chips. It's totally up to you!
TIMING
Timing is another very important thing to communicate to your guests. This is a flexible element depending on how you think guests will best respond, but here's a sample timeline:
6:00 pm - Doors Open/Mingle/Potluck
7:00 pm - Set #1
7:45 pm - Intermission Break/Mingle/Merch Sales
8:00 pm - Set #2
8:45 pm - Music Finished
9:00 pm - Mingle/Merch Sales/Conclude
There's no hard fast rule that says house concerts must take place in the evening, or that the artist must perform 2 sets. You could try an afternoon show, Sunday brunch, etc. Whatever you think will maximize attendance is most likely the best way to go.
SOUND
While it's true that completely acoustic shows can be quite intimate, I personally prefer as a performer and listener that there be some type of amplification. If I'm driving to the show, I can supply a PA (nothing too loud, but sound equipment ensures I won't have to strain to sing, and your guests won't have to strain to hear). If I'm flying, I'll need a little help in this department. Sometimes hosts find it beneficial to borrow, rent, or own their own sound equipment (especially those hosts who start putting on shows on a monthly/regular basis). Sufficient PA systems can be purchased for less than $300. (Message me and I can give you some tips!)
OVERNIGHT
Some hosts put artists up in a guest room. Sometimes they'll arrange a nearby hotel. Sometimes I know a friend in the area and crash with them. We can chat about it!
MERCH
Generally hosts will provide a small area where artists can set up and sell their merch, talk to attendees, etc. Artists generally keep 100% of their merch sales.
SIGNAGE
Signage helps tell the guests how to find appropriate entrances/exits, bathrooms, donation bucket, etc. Signage also keeps guests OUT of restricted areas.
GREEN ROOM
Sometimes hosts designate a private "green room" area for artists to prepare or rest, complete with snacks/beverages. (Not a deal-breaker for me, but it is very much appreciated.)
PERFORMERS & MULTIPLE ACTS
You'd be surprised just how many artists want to play in your house. (Hi, I'm one of them!) Lots of hosts start out with their favorite local artists and expand to include regional/touring/national acts. Some hosts have a strict rule that they need to witness an artist play live before they invite them to perform at their series. A good rule of thumb is to always keep your guests in mind. What kind of music do you think they'd enjoy? I'd recommend checking out Folk Alliance International if you really want your mind blown on what a huge pool of talent there is, all just fighting for those coveted living rooms on those coveted Saturday nights.
A note on multiple acts...Usually hosts showcase one artist/act per event, but multiple acts or openers are not uncommon. I'm usually a more-the-merrier type performer (especially for local shows), but I do recommend anticipating/discussing with the artist ahead of time how the money might be distributed amongst multiple acts. If an artist is traveling to perform at your series at a great expense, they may not be as eager to share the bill with an opener for financial reasons. The flip side to that argument is that multiple acts could potentially increase attendance. Again, these are case by case decisions, and communication is key so everyone stays on the same page.
MONEY
Most hosts ask their guests for a donation that goes directly to the artists (this protects you from being perceived as a venue in the eyes of the IRS - you are not technically charging or earning money). In my experience, $20 donation is typical, but it just depends on what you think your guests are comfortable with. Some hosts will have a volunteer collect the donation at the door (this ensures everyone remembers to pay and can help you track RSVPs vs actual attendance), some hosts will pass a bowl around, or leave some kind of receptacle and sign where it can clearly be seen (by the food/drinks is always a high-traffic area). If that's the case though, it's a good idea to make 1-2 announcements about it because some people tend to forget.
DELEGATING
The beauty of house concerts is that people work together to create a beautiful shared experience. If all of the above seems a little overwhelming, don't be afraid to delegate and ask friends/neighbors to help out. I've played house shows where different community members have assigned "roles," such as bringing chairs, working the door, providing a PA system, etc. Many hands make light work!
WANT ME TO COME PERFORM AT YOUR HOUSE?
Here's the part where I sell myself. I write the kind of music that's as good as a crowd's collective willingness to listen to it. Lyrics are such a focal point of my writing, and they are easily drowned out in loud public venues. House Concerts allow me to make the most impact as a performer because they offer an environment where words, storytelling, humor, joy, grief, music, and love are valued, honored and SHARED. I need this environment to thrive as an artist (and as a human). If you'd like to help me thrive, please read over the testimonials below, listen to some music, and contact me to book a date.
A QUICK NOTE ON POLITICS & CULTURE
Because I write some songs that take a strong stance on social justice, I think it's important to address my approach on performing (or not performing) these songs at house concerts. It is never my intention to alienate members of an audience who have willingly donated their hard-earned money to see me perform at someone's house. My overall message is about coming together and showing compassion. I try to point out what we share in an effort to overcome the things that divide us. When I'm playing for audiences who most likely don't share my political beliefs, I may veer away from songs that take an aggressive political stance, not because I think artists should just "shut up and play," but because I respect the fact I've been invited into a private residence where those songs probably won't be well-received. If the crowd does ask to hear these songs, I'm happy to play them. As for songs and stories that specifically address my personal life and identity. I don't consider them to be overtly political, and I will play them for all crowds because, like Popeye, I yam what I yam. My ultimate goal is to connect with your guests so everyone leaves with lots of warm and fuzzy feelings and perhaps mulling over some important issues from a different perspective! So far, no complaints!
BALLPARK MINIMUMS
Because I have been doing this quite a long time and have a ballpark idea of the travel/expenses that go into performing at house concerts all over the country, I have established some ballpark minimums to ensure each show is promoted well and results in a happy experience for artists, hosts, and attendees alike. These minimums are flexible depending on travel/tour schedules and locations, and there is always room for negotiation - I don't want money to be the thing that deters you from hosting a house concert!
Southern California:
$400 minimum (20 people @ $20)
Central/Northern California:
$700 minimum (35 people @ $20)
OR
$500 + travel/lodging
Pacific Northwest/Southwest:
$800 minimum (40 people @ $20)
OR
$500 + travel/lodging
Mid-America:
$900 minimum (45 people @ $20)
OR
$500 + travel/lodging
East-Coast:
$1000 minimum (50 people @ $20)
OR
$500 + travel/lodging
International:
This would most likely be a part of a tour...contact me for more info!
QUESTIONS?
Any questions, don't hesitate to reach out. There is definitely some work involved, but all the hosts I know would be so quick to tell you how rewarding it is. House concerts are SO FUN, and if you choose to keep doing them, you will be worshipped by songwriters for helping them stay afloat in this tough industry!
If you're still on the fence, but want to support in other ways, please consider joining "Lindsay's Corner." For as little as $2/month ($24 a year!) you'll get a shout-out on my website, access to my private/VIP Facebook, and other fun perks! Look at all the beautiful people who've joined so far!
First and foremost, it's important for everyone to be on the same page about the format of the event. When artists play "House Concerts," they usually perform (mostly) original music to a captive audience of engaged listeners. When they play "House Parties," they usually perform (mostly) covers as background music to add nice ambiance as guests mingle. Both cool formats, but could not be more different in terms of both guest and artist experience.
AUDIENCE
Check out the above quote from one of my house concert host friends. One of the most appealing aspects of a house concert for artists is the chance to perform for crowds outside their established fanbase. This is ideal not only because we get a chance to convert these listeners into new fans, but also because it gives us a much-needed break from the grind of promoting. Most public venues place high expectations on artists to draw a crowd. Promotion is an expensive, time-consuming, and stressful beast that takes artists away from their art. While I always try to help promote the house shows I play (with the host's permission, of course), I must say it is an AMAZING feeling to play for a shiny, new audience!
I've played house concerts of all sizes, but 20 people is a good minimum to try and hit so no one feels awkward. It all depends on what you're comfortable with and how much access to seating you have.
KIDS
I've played shows where kids added to the experience with all their wiggly cuteness and energy. I've played shows where kids distracted from the experience with all their wiggly cuteness and energy. I've also played adults-only shows where attendance greatly suffered because the majority of the hosts' community were parents who preferred not to leave their kids at home. When it comes to kiddos, there are a TON of variables to be considered, but it's a case by case thing. I recommend having a conversation with the artist to make sure everyone's on the same page comfort-wise, then relaying whatever you decide to guests through your invitation.
SEATING
Usually hosts provide chairs or seating (either they have enough furniture to make it work or they borrow/rent some extra folding chairs, etc.). I've played outdoor shows where hosts ask guests to bring their own blanket or lawn chair. The concert-style seating aspect is important because helps guide guests to understand that this is a listening event (as opposed to just a musician playing in the background of a house party).
INVITATION/RSVPS
I recommend keeping your invite/promotion as private as possible. This keeps the randos away and prevents you from being perceived as a public venue in the eyes of the government and other entities. Internal email invitations and/or private facebook events mostly do the trick. Some hosts use sites like Evite or even pre-sell tickets. It's totally up to you and how you feel is the best way to reach your friends/family, but again - the more "public" your event, the more you open yourself up to being perceived as a public venue.
As far as RSVPs go, there is always some drop-off on attendance the day of the show. A good rule of thumb is 20% drop-off....if 20 people RSVP yes, it's almost a given that at least 4 will not show up. Some hosts are stricter than others when it comes to no-shows (especially those who have limited seating). it's not uncommon for serial flakers to be removed from the invite list over time.
Accessibility & Accommodations
Paying attention to potential accessibility issues and accommodations for disabled folks as a forethought rather than an afterthought is not only a considerate way to approach house concert hosting; it's just a rad way to live an inclusive and compassionate life. Think of your house/concert space from the perspective of someone who uses a wheelchair or other mobility aid such as a walker, cane, etc. What would they need to know about parking, doorways, seating, restrooms, etc. before deciding whether or not to attend the concert? Will there be any guests with vision, hearing, or other disabilities and if so, what kinds of accommodations might they need to enjoy their experience? A great way to find out is to simply ask guests to reply to your invitation with any accommodation requests. Another option, if you have access to the proper equipment and/or people, is to offer a livestream feed or recorded playback of the show (with captions ideally!) for anyone who prefers to virtually attend. Feel free to reach out to me with further questions about accessibility!
Performing Rights Organizations (PROs)
Performing Rights Organizations like BMI, SESAC, ASCAP exist to help artists collect royalties for their music, whether it's recorded or performed live. PROs can be a bit of double-edged sword because their well-intentioned fight for artists sometimes translates into deterring small venues from hosting live music because they often can't afford PRO licensing fees. PROs can and will come after house concert hosts. The best way to keep the PROs away is to make sure your events are completely private/invitation-only and completely donation-based. For more on this topic, check out literature from Folk Alliance International and Concerts In Your Home.
NEIGHBORS
It depends on the neighborhood and number of people coming, but you may want to consider inviting your neighbors and/or anticipating what, if any, issues could arise with parking, noise, etc. Most neighbors are super cool about it and even get involved, but I've had some hosts have to clear it with their HOA, or some hosts have had to make sure to tell guests to keep the noise down when they walk back to their car after the show, etc. It's all about being as considerate and respectful as possible.
FOOD
There are so many different ways to handle Food & Beverage. Sometimes hosts take care of ALL the food (bless their angel hearts!), but most hosts will promote the event as a potluck/BYOB and provide the basics - plates, cups, ice chest, etc. It can be light refreshments, dessert & coffee, or a full spread. Whatever you decide, just make sure to communicate it on your invite so your guests have an understanding of your expectations. On your invite you can just say something like "Bring a dish or drink to share." One of my host friends also likes to theme the potluck (Italian, Mexian, etc.) to avoid getting 37 bags of chips. It's totally up to you!
TIMING
Timing is another very important thing to communicate to your guests. This is a flexible element depending on how you think guests will best respond, but here's a sample timeline:
6:00 pm - Doors Open/Mingle/Potluck
7:00 pm - Set #1
7:45 pm - Intermission Break/Mingle/Merch Sales
8:00 pm - Set #2
8:45 pm - Music Finished
9:00 pm - Mingle/Merch Sales/Conclude
There's no hard fast rule that says house concerts must take place in the evening, or that the artist must perform 2 sets. You could try an afternoon show, Sunday brunch, etc. Whatever you think will maximize attendance is most likely the best way to go.
SOUND
While it's true that completely acoustic shows can be quite intimate, I personally prefer as a performer and listener that there be some type of amplification. If I'm driving to the show, I can supply a PA (nothing too loud, but sound equipment ensures I won't have to strain to sing, and your guests won't have to strain to hear). If I'm flying, I'll need a little help in this department. Sometimes hosts find it beneficial to borrow, rent, or own their own sound equipment (especially those hosts who start putting on shows on a monthly/regular basis). Sufficient PA systems can be purchased for less than $300. (Message me and I can give you some tips!)
OVERNIGHT
Some hosts put artists up in a guest room. Sometimes they'll arrange a nearby hotel. Sometimes I know a friend in the area and crash with them. We can chat about it!
MERCH
Generally hosts will provide a small area where artists can set up and sell their merch, talk to attendees, etc. Artists generally keep 100% of their merch sales.
SIGNAGE
Signage helps tell the guests how to find appropriate entrances/exits, bathrooms, donation bucket, etc. Signage also keeps guests OUT of restricted areas.
GREEN ROOM
Sometimes hosts designate a private "green room" area for artists to prepare or rest, complete with snacks/beverages. (Not a deal-breaker for me, but it is very much appreciated.)
PERFORMERS & MULTIPLE ACTS
You'd be surprised just how many artists want to play in your house. (Hi, I'm one of them!) Lots of hosts start out with their favorite local artists and expand to include regional/touring/national acts. Some hosts have a strict rule that they need to witness an artist play live before they invite them to perform at their series. A good rule of thumb is to always keep your guests in mind. What kind of music do you think they'd enjoy? I'd recommend checking out Folk Alliance International if you really want your mind blown on what a huge pool of talent there is, all just fighting for those coveted living rooms on those coveted Saturday nights.
A note on multiple acts...Usually hosts showcase one artist/act per event, but multiple acts or openers are not uncommon. I'm usually a more-the-merrier type performer (especially for local shows), but I do recommend anticipating/discussing with the artist ahead of time how the money might be distributed amongst multiple acts. If an artist is traveling to perform at your series at a great expense, they may not be as eager to share the bill with an opener for financial reasons. The flip side to that argument is that multiple acts could potentially increase attendance. Again, these are case by case decisions, and communication is key so everyone stays on the same page.
MONEY
Most hosts ask their guests for a donation that goes directly to the artists (this protects you from being perceived as a venue in the eyes of the IRS - you are not technically charging or earning money). In my experience, $20 donation is typical, but it just depends on what you think your guests are comfortable with. Some hosts will have a volunteer collect the donation at the door (this ensures everyone remembers to pay and can help you track RSVPs vs actual attendance), some hosts will pass a bowl around, or leave some kind of receptacle and sign where it can clearly be seen (by the food/drinks is always a high-traffic area). If that's the case though, it's a good idea to make 1-2 announcements about it because some people tend to forget.
DELEGATING
The beauty of house concerts is that people work together to create a beautiful shared experience. If all of the above seems a little overwhelming, don't be afraid to delegate and ask friends/neighbors to help out. I've played house shows where different community members have assigned "roles," such as bringing chairs, working the door, providing a PA system, etc. Many hands make light work!
WANT ME TO COME PERFORM AT YOUR HOUSE?
Here's the part where I sell myself. I write the kind of music that's as good as a crowd's collective willingness to listen to it. Lyrics are such a focal point of my writing, and they are easily drowned out in loud public venues. House Concerts allow me to make the most impact as a performer because they offer an environment where words, storytelling, humor, joy, grief, music, and love are valued, honored and SHARED. I need this environment to thrive as an artist (and as a human). If you'd like to help me thrive, please read over the testimonials below, listen to some music, and contact me to book a date.
A QUICK NOTE ON POLITICS & CULTURE
Because I write some songs that take a strong stance on social justice, I think it's important to address my approach on performing (or not performing) these songs at house concerts. It is never my intention to alienate members of an audience who have willingly donated their hard-earned money to see me perform at someone's house. My overall message is about coming together and showing compassion. I try to point out what we share in an effort to overcome the things that divide us. When I'm playing for audiences who most likely don't share my political beliefs, I may veer away from songs that take an aggressive political stance, not because I think artists should just "shut up and play," but because I respect the fact I've been invited into a private residence where those songs probably won't be well-received. If the crowd does ask to hear these songs, I'm happy to play them. As for songs and stories that specifically address my personal life and identity. I don't consider them to be overtly political, and I will play them for all crowds because, like Popeye, I yam what I yam. My ultimate goal is to connect with your guests so everyone leaves with lots of warm and fuzzy feelings and perhaps mulling over some important issues from a different perspective! So far, no complaints!
BALLPARK MINIMUMS
Because I have been doing this quite a long time and have a ballpark idea of the travel/expenses that go into performing at house concerts all over the country, I have established some ballpark minimums to ensure each show is promoted well and results in a happy experience for artists, hosts, and attendees alike. These minimums are flexible depending on travel/tour schedules and locations, and there is always room for negotiation - I don't want money to be the thing that deters you from hosting a house concert!
Southern California:
$400 minimum (20 people @ $20)
Central/Northern California:
$700 minimum (35 people @ $20)
OR
$500 + travel/lodging
Pacific Northwest/Southwest:
$800 minimum (40 people @ $20)
OR
$500 + travel/lodging
Mid-America:
$900 minimum (45 people @ $20)
OR
$500 + travel/lodging
East-Coast:
$1000 minimum (50 people @ $20)
OR
$500 + travel/lodging
International:
This would most likely be a part of a tour...contact me for more info!
QUESTIONS?
Any questions, don't hesitate to reach out. There is definitely some work involved, but all the hosts I know would be so quick to tell you how rewarding it is. House concerts are SO FUN, and if you choose to keep doing them, you will be worshipped by songwriters for helping them stay afloat in this tough industry!
If you're still on the fence, but want to support in other ways, please consider joining "Lindsay's Corner." For as little as $2/month ($24 a year!) you'll get a shout-out on my website, access to my private/VIP Facebook, and other fun perks! Look at all the beautiful people who've joined so far!
TESTIMONIALS:
"I just wanted to send you a note to thank you for your amazing performance. As I mentioned that day it was the best turn out for a live concert since we started back up and since then the views on Facebook have been off the charts. I wanted to also let you know that the comments on the survey were overwhelmingly positive with 14 patrons rating your performance as excellent and exceeding their expectations. I hope you enjoyed it as much as we all did."
-Kathryn (Escondido, CA)
"Loved having you, Lindsay! It was such an amazing night of music and friendship!"
-Mike (San Diego, CA)
"First House Concert success! Lindsay and Jules are amazing musicians/songwriters, but also just such cool, down to earth, inspiring people we had the pleasure of getting to know."
-Valerie (Ashland, OR)
"What another amazing evening of food, friends, and music. Thank you to all our friends, family, and our fine musicians"
-Stacie (Bothell, WA)
“Lindsay White is a musical triple threat... a poetic songwriter, accomplished player and strong vocalist. She can break your heart with one song and heal it with the next. Her craft stays with you long after the performance ends.”
-John (Bend, OR)
"Hosting a house concert for Lindsay White was truly a dream come true. Her voice, her words, her talent are inspirational, moving & heartfelt! Many of our guests have expressed sincere gratitude for sharing this special night with them. Lindsay definitely gained some new fans! Hope to make this an annual event. It was a magical evening!"
-Bridget & Nick (Mesa, AZ)
"Lindsay White is a talented songwriter - one of our favorite songwriters in San Diego! She is a true professional. Communicative and responsible, she's always on time, prepared and engages personally with the audience. Her performances are moving, entertaining and heartfelt."
-Karin & Cliff (San Diego, CA)
"We were blessed to have the opportunity of Lindsay being one of our very first House Concert artists. Her musical abilities surpass anything we could have dreamed of. Her songwriting creates word pictures of thoughts & emotions and her voice makes those words come to life. We love Lindsay.”
-Amy & Gary (San Antonio, TX)
"Having Lindsay White play in your home is a special gift. Her beautiful voice and lyrics will touch your heart and soul."
-Leah (Del Mar, CA)
"It was the best turn out for a live concert since we started back up and since then the views on Facebook have been off the charts. I wanted to also let you know that the comments on the survey were overwhelmingly positive."
-Kathryn (Escondido, CA)
"I just wanted to send you a note to thank you for your amazing performance. As I mentioned that day it was the best turn out for a live concert since we started back up and since then the views on Facebook have been off the charts. I wanted to also let you know that the comments on the survey were overwhelmingly positive with 14 patrons rating your performance as excellent and exceeding their expectations. I hope you enjoyed it as much as we all did."
-Kathryn (Escondido, CA)
"Loved having you, Lindsay! It was such an amazing night of music and friendship!"
-Mike (San Diego, CA)
"First House Concert success! Lindsay and Jules are amazing musicians/songwriters, but also just such cool, down to earth, inspiring people we had the pleasure of getting to know."
-Valerie (Ashland, OR)
"What another amazing evening of food, friends, and music. Thank you to all our friends, family, and our fine musicians"
-Stacie (Bothell, WA)
“Lindsay White is a musical triple threat... a poetic songwriter, accomplished player and strong vocalist. She can break your heart with one song and heal it with the next. Her craft stays with you long after the performance ends.”
-John (Bend, OR)
"Hosting a house concert for Lindsay White was truly a dream come true. Her voice, her words, her talent are inspirational, moving & heartfelt! Many of our guests have expressed sincere gratitude for sharing this special night with them. Lindsay definitely gained some new fans! Hope to make this an annual event. It was a magical evening!"
-Bridget & Nick (Mesa, AZ)
"Lindsay White is a talented songwriter - one of our favorite songwriters in San Diego! She is a true professional. Communicative and responsible, she's always on time, prepared and engages personally with the audience. Her performances are moving, entertaining and heartfelt."
-Karin & Cliff (San Diego, CA)
"We were blessed to have the opportunity of Lindsay being one of our very first House Concert artists. Her musical abilities surpass anything we could have dreamed of. Her songwriting creates word pictures of thoughts & emotions and her voice makes those words come to life. We love Lindsay.”
-Amy & Gary (San Antonio, TX)
"Having Lindsay White play in your home is a special gift. Her beautiful voice and lyrics will touch your heart and soul."
-Leah (Del Mar, CA)
"It was the best turn out for a live concert since we started back up and since then the views on Facebook have been off the charts. I wanted to also let you know that the comments on the survey were overwhelmingly positive."
-Kathryn (Escondido, CA)
