|
What's up, pals? Long time no talk. Just wanted to share some exciting news that my new single "Jealous of You" is now available on all the streaming thingies. You can also support by downloading the track along with lyrics and artwork here.
Image description: Single artwork by Shy the Artist features a collage with light gray text that reads “Jealous of You” overlaid on a blue-gray cloudy sky. The focal point is a photo (by Sydney Valiente) of Lindsay. She is wearing a brown and gray sweater and holding her hair up in both hands. A bunch of green leaves covers her face and other foliage surrounds her.
Special thanks to the homies Jules Stewart (drums) and Alexander Dausch at Studio Studios (instrumentation, production, mixing, mastering) for making this track sound so dreamy. Shout-out to Shy the Artist (artwork) and Sydney Valiente (photography) for holding it down in the visual department. And as always, my unending gratitude goes to my Lindsay's Corner Patreon fam for making it possible for me to release music independently. Because of them, I was able to put out five songs this year - no easy feat for a pregnant lady in a pandemic! (Technically, this was my daughter's first feature - she was in my belly when I tracked vox!)
Do me a favor, friends - if you like this song, please share it on socials and/or add to your favorite playlists. I'm taking a social media hiatus for the remainder of the year to protect my mental health as I prepare to deliver River Jean into the world, which means there will be no official promo for this song unless kind souls like you share the love. Appreciate all your support!
0 Comments
First gig back is sold out! Excited to be celebrating and supporting our API headliners this afternoon and raising funds for SD API Coalition. If you snoozed and loozed on a physical reservation or if you live out of town, you can watch the livestream on the Lady Brain Presents Facebook page!  Image Description: Event flyer is a photo of a blue sky with white clouds and palm leaves pictured at top. Text is overlaid with event info and performer names (please see ladybrainpresents.com/blog for complete event details) Hey friends, cool news! My song "Crickets" has been nominated for a 2021 San Diego Music Award in the category of Best Folk/Acoustic Song. I'm proud of this little ditty...one of the first that I recorded/produced all by myself! (With help, of course, from Alex Dausch on bass, Amelia Sarkisian mixing, and Trevor Hamer mastering). The category is full of friends like Tori Roze, Julia Sage, and Lee Coulter, so I say go forth and vote in whatever way feels good for you! You can vote once per day!  Image description: 2021 Logo for SDMAs is a drawing of a yellow vintage bus parked in front of palm trees. On the side of the bus, red-orange lettering reads "SDMA30." In the blue sky above, white lettering reads "30th Annual San Diego Music Awards"
Hey there, friends. I've got a brand new single out for ya out today. This one's called "The Rotten Parts," produced by me (!!!), mixed/mastered by Amelia Sarkisian, with drums by Jules Stewart. I wrote this one as a walk-a-mile-in-someone-else's-shoes plea for white folks to consider not only the current, every-day impact of white supremacist delusion on Black and Brown bodies, but the centuries-long trauma caused by hate, fear, greed, and othering based on nothing more than skin color. Sooooo Dummmmmb and Eviiiiiil. What a grave shame it is to still see so many people refuse to acknowledge the simple, unwavering truth that Black Lives Matter. To still value their own comfort and willful ignorance over the actual safety of other humans. To varying degrees, we ALL grapple with these "rotten parts" because we were all brought up within rotten, broken systems. And those rotten parts will continue to poison generation after generation until we confront them individually and collectively. Thank you for listening - hope you'll work to carve out all the rotten you see in yourself - I'll be doing the same on my end.
The song is available now (along with lyrics and art) for direct download in the store, which is by far the best way to support, or on all the streamy thingies. Special thanks to Jules Stewart (drums), Amelia Sarkisian (mixing/mastering), with single art by Shy the Artist using original photography by Sydney Valiente. As always, big, big love to my Lindsay's Corner fam for their continued support. *Edit 3/24 - I recently was given the opportunity to root out the rotten parts of this very blog, which was not giving proper credit to the Black and Brown folks who inform my very understanding of racial and social injustice and who motivate me daily to hold myself accountable and try to work/create/speak/live in solidarity. Folks whose work I am particularly grateful for and inspired by in this moment are Sonya Renee Taylor, Dr. Tiffany Jana, Sassy Latte, Isabel Wilkerson, Miki Vale, EB of Course, and so, so many of the harmonizers at our local mutual aid We All We Got SD! 
Image description: Single artwork by Shy the Artist features a collage with light gray text that reads “The Rotten Parts” overlaid on a blue-gray cloudy mountain landscape. The focal point is a photo (by Sydney Valiente) of Lindsay placed toward the right of the graphic. She is wearing a brown coat over a gray blouse and her long brown hair falls over her left shoulder. A bunch of red and white flowers with black leaves covers her face.
Hey friends. Wanted to point your attention toward what will probably be the only piece of press I receive anytime soon: a really lovely review of my last three singles from my dear friend Lizzie Wann over on the Lady Brain Presents blog. Even though I'm putting out a lot of new music, I just don't have the capacity to push for PR right now, which goes against everything I've been doing as an indie musician for my entire career. Why, you may ask, would someone who has literally written a DIY publicity guide for indie musicians, not put more care into publicizing her new music? Um, I'm exhausted. That's pretty much it. I've reached a point in this pandemic where I'm creating and releasing music for my own mental health. What anyone chooses to do with it or think about it or write about it is not even a sliver of a thought in my brain at the moment. Maybe one day I'll get back to a place where I keep pushing for more reach, but for now, I'm just going to lean on good friends like Lizzie, awesome collectives like Lady Brain Presents, and my Patreon fam to give me the gentle squeezes and nudges I need to keep on keeping on. Thanks so much Lizzie for these thoughtful and kind words about my latest three releases. If you get a moment, please send her a little venmo love and check out her book and talk show!  Image description: Single artwork for "Nothing Worse" features a collage with light gray text that reads "Nothing Worse" overlaid on a grayish blue mountain landscape. In the center, a photo of Lindsay White in a green shirt, propping her chin up with her hand. Bunches of colorful flowers are placed over her face and near her shoulder. Artwork by ShyTheArtist, original photo by Sydney Prather.
New year, new music. Hope you enjoy my latest release "Nothing Worse," an original song inspired by one of my dear friends about that dreaded sense of hope we still somehow manage to feel during incredibly hopeless and lonely times. The song is available on all streaming platforms, but I hope you'll also consider a direct download from my website, which includes a printable lyric download as well as the artwork. Streaming is cool y'all, but artists can't make it work with fractions of pennies for royalties. Direct sales help me continue to invest in creating more music!
Image Description: Single artwork features a collage with light gray text that reads "Nothing Worse" overlaid on a grayish blue mountain landscape. In the center, a photo of Lindsay in a green shirt with black and white polka dot accents. She is propping her chin up with her hand. Bunches of colorful flowers are covering her face and near her shoulder. Artwork by ShyTheArtist, using original photo by Sydney Prather.
Lyrics:
there's a pillow i keep punching i always take you lying down there's a pill so hard to swallow i have to hide it in my mouth i'm sinking down the valley, can't find the surface i'm fighting the finale, like a novice novelist i'm pacing like Penelope, hope for my homecoming kiss but there's nothing worse than hoping at a lonesome time like this there's a hole where i keep whispering i always wonder if you hear there's a hopeless place where i know best but dear, i don't dare to go near i'm counting up the memories and the sacrifices i'll spend them on you honey i don't care what the price is i'm testing several theories hoping to prove the same thesis but there's nothing worse than hoping at a lonesome time like this worry my mind, furrow my brow sweetheart, i am sweating bullets sweating you out how can i let you go when i still hope that hope exists i know...there's nothing worse than hoping at a lonesome time like this but i just sit here hoping at a lonesome time like this
Thank you for listening fam! If you want to take your patronage one step further, you can also join Lindsay's Corner for $2+/month. Did you know someone would have to stream my song about 229 times before I earned $2? But it costs about $10-20 per year to keep a song distributed to these platforms, so just to break even for a single, my song would have to be streamed 1145-2290 times per year. This stuff makes me want to pull out my hair and quit music sometimes. Having support from the Patreon platform isn't just about financial sustainability, it's about the emotional support and knowing that folks care about artists enough to protect and preserve their ability to create. It's about giving them "hope at a lonesome time like this."
Hey friends! I wanted to premiere a brand new video for "Crickets," ahead of my latest release that will be available for streaming/download on December 26. My Patreon crew got the first look, and they are absolutely the reason I continue to be able to create music despite not earning my usual gig income this year, so I want to thank them for their continued support during a really weird and hard time for artists. To start, let me disclaim that I have no real technical skills when it comes to video-making, but I had a vision to try and capture what the infertility struggle feels like; using a tripod and an iPhone, I managed to arrive somewhere in the realm of reality.  Image Description: Single artwork features a hand-drawn bathroom sink and a pregnancy test on the counter. A tiny cricket appears in the test window. Artwork by Chad Cavanaugh. In the song, you'll hear real crickets I recorded from outside my window on the nights I would lay awake wondering if I was ever going to get pregnant. Sometimes I would see a cricket in the bathroom, and of course (always looking for a sign from the Universe) I Googled what they meant - besides the "nothing" response they are commonly associated with. Some searches pointed to good luck and fertility. I secretly hoped my mama was coming to me in one of those crickets telling me that good news was on the way. The good news never came. Sometimes crickets are just crickets, I guess. You can also hear the crinkle of a pregnancy test wrapper in the chorus, which I used to represent the almost mechanical wheel-like revolution of hope to despair to hope to despair, cycle after cycle, fail after fail. What actually happens in these cycles is you actually have to go into the lab every try for a blood test to confirm the cycle failed (even if you already started your period or tested negative at home), which adds an extra spin cycle of hope/despair where you tell yourself tons of little stories "maybe it's implantation bleeding" or "maybe it was a false negative" until you finally get the phone call confirming what you knew all along. No baby. Feel free to share this video with anyone you know who has struggled with similar issues. It's isolating. I hope it comforts and speaks to people who have been through it. I feel very fortunate that we were even able to try five times. In the opening lyrics "I've cried onto a casket," I'm referring to my mom's death. I'm also wearing the clothes I wore to her funeral. I wanted to acknowledge that some folks don't have the resources to attempt to grow their family, and we would've been in that boat had it not been for my mama's death. So maybe she was still my good luck cricket in a different sense. Thanks to her, we will always get to say that we tried, and that is comforting. Still, I want to point out that for sooooo many LGBTQ+ folks who envision creating families of their own, whose own families did/do not accept them - we get such a late start on this process because it takes us such a long time to shed the shame placed on us by others and to arrive at our full authentic selves. Which then makes us a little late to the game in finding our healthy life partners/relationships, which then makes us really late to the family planning process. By the time Audrie and I started trying to conceive, it was practically too late. So many queer couples I know struggle with this, and it really angers me that our own loved ones, our own schools, our own religions stand in the way of our ability to love and grow into ourselves, each other, and our families. This is tragic. This is abuse. Please, if you are reading this, and you refuse to accept your child or loved one's sexuality or gender identity or anything else about their authentic self, you are literally robbing them of time they could be fully supported and immersed in your love for them and their love for themselves. Don't do that. God wouldn't do that. ****
This track will be available on Spotify/Apple/etc. on December 26! In the meantime, please follow on Spotify, subscribe on Youtube, and check out Lindsay's Corner if you'd like to be a part of the fam that helps me keep creating. Hi my friends. It's release day! My new song (and silly home video) for "Everything But Loving You" just came into the world, and I wanted to write about it a little since I'm mostly off social media and not doing a traditional promotional blitz where I beg a bunch of media folks to write about it. Instead, I just want to put it out there, give some context to the song, and then not stress out about whether or not people listen to it, but trust that It will find who it needs to find. So, basically shooting my music career in the foot, haha. Small price to pay for mental wellness during a pandemic.  Image Description: Single artwork features a hand-drawn pile of dirty dishes. Artwork by Chad Cavanaugh. Even though it's a love song, I wrote this tune from a pretty scary place. Anxiety dug its claws into me hard a few times this year. While I've lived with that little shithead in my brain for pretty much my whole life, this time, it felt harder to manage. Chalk it up to infertility, a rampant pandemic, ongoing social injustice, national incompetence, you name it. It's a traumatizing time to be alive, even for the most mentally stable people. In those moments, I didn't have or use the correct tools, and the result was an overwhelming sense of hopelessness and helplessness, which veered pretty hard into a land of shame and self-hatred where I started to lose sight of my worth on this planet and value of living life in general. In those moments, my anxiety puts me on trial, unfairly and incessantly asking me, "If you can't fix everything, what's the point of you?" In those moments, the one thing that is stronger than anxiety's prosecution is love's defense. I was able to hang on by focusing on the sense of purpose I feel in loving and being loved by my wife. Writing this song about Audrie, the person that makes me feel calm and sane and steady, provided enough of a glimmer of hope that I needed to be a functioning human again.
Speaking of being a functioning human, this is the first release that I produced, with the help of friends James Staton (bass), Steve Nichols (guitar), Jules Stewart (drums) and Amelia Sarkisian (mixing). It's not perfect or polished, but what feels more important to me than being perfect is: making an effort within my capacity, being proud of any small progress in that effort, being compassionate about any setback in that effort, and letting go of any attachment to other people's perceptions of that effort. It's a good way to fight anxiety. It's also a good way to approach art. And life. In closing, I feel it's important to disclaim as a white person that this song was written in a mental health moment about a mental health moment. In no way do I want to give folks musical permission to ignore injustice in your community and in the world. I must admit, I've worried the song could be perceived in that light. But then, I just gotta circle back to letting go of any attachment to other people's perceptions of my effort. For me "quitting everything" kinda means letting go of the shit that doesn't serve me (sorrow, anger, worry), and focusing on the shit that does (love, love, love, etc.) so I can function with more clarity and serve others with more stability. However, I absolutely would like to quit doing the dishes for the rest of time. ;) **** Spotify (please add to your fav love songs playlist or follow mine!) Youtube (please subscribe while you're there!) Patreon/Lindsay's Corner (be a part of the fam that helps keep creating) Lyrics (for word nerds like me) Hey y'all - wanter to share a little interview I recently did with Shoutout Socal. Thanks to my buddy Cathryn Beeks for referring me to their team! Read the interview here.  Image Description: To the left, a black text headline that reads "Meet Lindsay White - Songwriter & Lady Brain Presents Organizer." To the right, a photo of Lindsay White playing guitar (credit Sharisse Coulter)
Thank you to Danielle Tucker for inviting me to come on her Pandemic-Proof Singer Series livestream show on Facebook. I'm always inspired by folks who are finding ways to keep creative communities together during pandemic times, and Danielle is a great example of that. In this episode, I talk about songwriting, Lady Brain Collective, We All We Got SD, and more. Catch the replay below and don't forget to follow Danielle's vocal coaching page to watch even more episodes from so many talented singers.
Video Description: Thumbnail is a press photo of Lindsay White, photo credit Sydney Prather. Video is a split screen zoom session, on the left is Danielle Tucker (wearing denim top seated in front of a mirror, plant, and beige and white tapestry), on the right is Lindsay White (wearing black top, seated in front of a colorful mountain tapestry that has hats hanging on top of it).
|
Archives
October 2021
Categories
All
|
RSS Feed